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 John Galliano EDP especially for me is the easiest way to double imaging and interpretation of violets.
This duality has been seen in Dans Tes Bras, but in this case all the more complex. At John Galliano, and also thanks to the explanations of the designer, who says he loves portrait Marchesa de Casati, we learn about the portraitist Giovanni Boldini (1842-1931), known for its close cooperation with the popular in the 20th century higher education in Paris. Even before realizing this connection, John Galliano perfume hits you riot of gray pearl shades of gray transparent stripes melting (iris). Another exciting moment - purple applique black as pitch, Marchesa dress at the other portraits by Boldini.
Galliano said in an interview with L'Express, he had 336 attempts to complete the perfume. He said, "Tout était très passionné. J'avais en tête une fragrance romantique, avec une rose très anglaise et une note poudrée. Son nom de code était au départ" Cocotte "et, après toutes ces étapes, on est finalement revenu à cette idée. " ("It was all very passionately. In my head I imagined a romantic fragrance with chords of rose and pripylennymi notes. At the beginning it sounded like a code name for" Cocotte ", and after all these steps, we decided to revisit the idea.")
John Galliano EDP offers clean merging four major notes: aldehydes, violet, rose and orange blossom. Perfume offers hot steam chords reminiscent of the laundry, and a surge of raw aldehydes softened subtle hints of vanilla and orange blossom.
The composition of the future coming of vetiver softened but always diluted with fresh notes of "biscuit", baked with eggs. First aldehydes pretty sharp. If the odor perceived unintentionally, he evokes the fragrance of the workshop on tailoring, and that's what wanted to catch and reflect the perfume Galliano. For others, I guess that sounds pretty prosaic, in fact, for many fragrance associated with dry cleaning clothes.
There are special aldehyde nuances that bring edgy style John Galliano EDP. After Chanel No. 5, we know that these aldehydes can sound modern. Classical violet, iris and rose also differ originality, thanks to the volume fraction of citrus chords, including tangerine and orange blossom. At the end of the mixture becomes very harmonious and attracts attention as an undefined, but, nevertheless, persuasive flavor. Tertiary, even the secondary, the nuances of tobacco and hay, manifesting make the composition more difficult, more complicated structure. The base has a touchingly resinous character, thanks to a touch of thyme. This passage reminds me of Lalique Eau de Parfum.
Perfume is very resistant, and after a few hours more and more like Caron Aimez-Moi - beautiful violet aroma.
Author: Ann, New York
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