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 Fragrances Avon and Cynthia Rowley: Flower and Petal were both composed in tandem perfumers Richard Herpin and Frank Völkl, which used the phrase "fit for use" to describe their creation, designed for mass production.
The term "fit for use" subjective and somewhat mysterious, if you begin to ponder, but it usually means spirits, whose type and popularity of previous releases have been checked within a certain culture, and whose odor would be better described by the aesthetic category of "gratification"
. For example, in African culture, it - the smell of fried onion oil, applied to the body, which is considered pleasant and sexy, yet he did not get to North America at the global level
. Such fragrances tend not surprising - they are completely oriented to conservative tastes within a specific group and not aggressive
. Based on these concepts, Flower and Petal - female fragrances, suitable for girls and women
. And, in general, Avon is known especially within the lower middle class culture
. A distinctive feature of the Flower and Petal is that they are part of a high-end designer lines developed Avon
.
Both opened perfume pretty nice, but show some hidden notes which really shocked when confronted with the usual sense, but please almost everyone. Flower, following the Tom Ford Black Orchid, the most laid-indole perfume, which is still fresh in the memory. But it is possible to note a profane structure.
Flower
Flower - floral woody fragrance with a hint of coconut overtones and fresh greens. Initially, it smells like an ordinary tropical floral fragrance in the spirit Origins Shedonism (for more) and Kai (less). But it is also quite sharp, powder, lime, even in texture with a metallic amber nuances. It is very hard. To some extent this "heavy" rather aggressive perfumes that evoke memories with images of retro lady iz1950's high hairdos, huge glasses, decorated with rhinestones, and conducting a half-day in their hairdressers. The smell of it, even a bit like a retro hair sprays. Flower becomes a "noisy" in the course of its development, and its flavor to some degree is the equivalent of an unforgiving sun's rays reflecting on the steel sheet. He reminds us Blue Grass by Elizabeth Arden.
As soon as the perfume becomes more creamy and slightly spicy, his strength is mitigated. Wood nuances give it charm. The bottom notes offer long-playing sound sandalwood.
The best part of the perfume was suddenly revealed clear and frank, realistic indole chords at the end of flavor, but even before all of the ingredients have gone into decline. It's refreshing and at the same time puzzling, since many thought that such notes are taboo in modern perfumery. Performances of the 19th century not very pleasant smell of the working class coming back, and this is clearly evident in Avonland.
Perfume features notes of citrus, violet leaves, freesia, lily Casablanca, cashmere wood chords, warm vanilla, musk and sandalwood.
Petal
Not only that, Petal borrows floral accents maternal aroma, but also very realistic imitates and reproduces the smell of sweaty kids dig in the summer garden.
Perfume offers succulent fresh floral accord with sweet banana nuances that are a little reminiscent of Gap Grass. It is much easier Flower, but more clearly resembles water, sweetened with a spoon of sugar.
Dry wood nuances are mixed with sweet notes. This delightfully -blagouhanie easier, pure and innocent, than in the Flower. Perfume reveals nice citrus shades. In addition, the notes are punched rubber or plastic dolls, and for this reason, adults could be interpreted as containing a flavor of contemporary verge of Comme-des-Garçons. You can also note a minor male echoes, which are shown through special peppery notes of freesia, which is quite pale in this view. Lower notes smell like a pure children's sweat. Suddenly…
Author: Ann, New York
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